Wayne Kodje’s Ojibway Art Emulate Everyday life
Wayne Kodje’s Ojibway Art,also known as “Ojibwa art” or “Ojibwe Art”,presents that life cannot have a detached existence from art. What section of life is art? Or put another way, what part of life is separate from art? Life is shown by art, and on the other hand, art is life divulged. This only suggests that art and life are intertwined and both can not have separate existences. The difference in the intertwining is observation and usage. Perhaps, a lot of us are late-bloomers, intimating that art requires time, even more time than daily living requires. The earlier we know that life is art itself, the quicker we will relish the entwine.
For instance, a man who puts across himself with the help of his art is living his life to the fullest. At the same time, if a professional field allows talented executions, the much better will be the client-customer relationship. Why is this? In art expression, there is completion and a sense of higher accomplishment. It is unbidden and personalized. There is self – satisfaction and other-gratification. When you are encouraged to make known yourself, don’t you feel the pulsing throb from your center to your whole being? Art is centered in the heart; without the heart, life ceases.
Native American belief systems with its many sacramental histories are detailed in Ojibwa art as in http://kodjearts.com/folklore. Such disembodied legends are deeply rooted in Nature, replete with the symbolism of seasons, weather, plants, animals, earth, water, sky & fire. The system of an all embodying, sweeping and all-seeing Great Spirit, a coupling to the Earth, assorted cosmos narratives and aggregate minds of ancient ancestors are common. Typical adoration customs are often a part of tribal gatherings with dance, rhythm, songs and trance. One comprehends the heart and the intertwining of life and art in every belief.
You can have knowledge of a people from what they affirm in. The continuance of a race depends on whether the younger breed will assimilate and take upon themselves to be culture-bearers. North America is once the home of special races of people, maintaining their territoriality and wholeness by treaties with neighbors who shared their boundaries. There was enough land and natural resources for everyone. This was the status quo for time olden, until a country’s dwindling resources and a nation’s footloose spirit made them cross oceans in quest of spices, exotic food and fabrics, gold, and whatnots.
An Ojibway elder and storyteller succinctly restates: “The thing to know about Ojibwa culture, or any culture, is that it wouldn’t prevail unless the know-how of its special social characteristics had been passed down from one breed to the next. Think of culture as a template, an outline, that’s in place before a child is born. The cultural template marks the alert cognitive state and discovered behaviors of a section of humanity. The process of understanding is necessary to culture and so is the system of teaching culture.”
Advocates of Ojibway Art bawl that the “bid to attain an unvarying culture in the modern world tended to eliminate elements of many civilizations that now make up the whole.” Those who call themselves Ojibwa are restricted within an organization defined by well known North American culture. Colonialism has its rewards and disadvantages, depending on the viewpoint of the historiographer or his genetic origin. No matter, art is the pacifier, the go-between, the carrier for what a race wishes the world to know. The prints of Wayne Kodje reveals a man mediating with his past in Ojibway art, and recommending a vibrant Anishinaabe culture to be enlaced with life.